Marrow was interested in “how public institutions decide what’s worth showing, and what happens when something outside that system appears within it”.
He said using artificial intelligence to create it was “part of the natural evolution of artistic tools”, adding he sketched the image before he used AI.
“AI is here to stay, to gatekeep its capability would be against the beliefs I hold dear about art,” he said.
[…]
The artist, who said similar stunts he had carried out at Bristol Museum and Tate Modern were not “approved, sanctioned, or acknowledged”, denied it was vandalism.
“The work isn’t about disruption. It’s about participation without permission,” he said.
“I’m not asking permission, but I’m not causing harm either.”
It’s like the same “logic” AI companies use when they take copyrighted content without permission: claim you’re not causing harm so you don’t need permission. They don’t see the harm, so from their perspective it’s fine, even if the creator doesn’t want them taking their work.
Railing at the institution as being gatekeepers might reveal the flaw in their logic. People or institutions are entitled to decide what belongs in their collection and what does not. Random outsiders are not entitled to be a part of that collection. They can be invited in if the curators are interested in their work, but the curators are generally not required to add them just because they’ve made something. The artist can create their own collection and invite others to be a part of it, but they’re not entitled to be in anyone’s collection. They also can’t just go and take something from someone else’s collection without permission, and even taking a photo of someone else’s work and placing it in their collection would at the very least be bad form. The other artist is just as entitled to decide where they do or don’t want their work displayed.
With encryption and encryption backdoors I often use the illustration that I put a lock on the door of my house, not because I have something to hide, but because I have things valuable to me that I want to protect. Just because I have nothing to hide, it doesn’t mean I give the police a key to my house or let them add their own lock to my door. I wouldn’t want to come home one day and discover a random policeman had let himself in and was making copies of all my documents and photos just to make sure I wasn’t doing something bad. I’d be even more upset if I came home and discovered a policeman from another country had let himself in because he’d gotten a copy of the same key, or a thief was doing the same because he’d gotten a copy of the key.
Building off that illustration, I might have a collection of art in my house. This guy is not entitled to come into my house and look at my art, nor is he entitled to come into my house and put a picture on an empty space on my wall just because he thinks it should be there. Railing against gatekeepers keeping his slop out to me seems as ridiculous as him being mad that I won’t open my door and let him put a picture on my wall. He might not be damaging my walls, but just forcing his way in against my wishes is something I would view as harmful.
[…]
It’s like the same “logic” AI companies use when they take copyrighted content without permission: claim you’re not causing harm so you don’t need permission. They don’t see the harm, so from their perspective it’s fine, even if the creator doesn’t want them taking their work.
Railing at the institution as being gatekeepers might reveal the flaw in their logic. People or institutions are entitled to decide what belongs in their collection and what does not. Random outsiders are not entitled to be a part of that collection. They can be invited in if the curators are interested in their work, but the curators are generally not required to add them just because they’ve made something. The artist can create their own collection and invite others to be a part of it, but they’re not entitled to be in anyone’s collection. They also can’t just go and take something from someone else’s collection without permission, and even taking a photo of someone else’s work and placing it in their collection would at the very least be bad form. The other artist is just as entitled to decide where they do or don’t want their work displayed.
With encryption and encryption backdoors I often use the illustration that I put a lock on the door of my house, not because I have something to hide, but because I have things valuable to me that I want to protect. Just because I have nothing to hide, it doesn’t mean I give the police a key to my house or let them add their own lock to my door. I wouldn’t want to come home one day and discover a random policeman had let himself in and was making copies of all my documents and photos just to make sure I wasn’t doing something bad. I’d be even more upset if I came home and discovered a policeman from another country had let himself in because he’d gotten a copy of the same key, or a thief was doing the same because he’d gotten a copy of the key.
Building off that illustration, I might have a collection of art in my house. This guy is not entitled to come into my house and look at my art, nor is he entitled to come into my house and put a picture on an empty space on my wall just because he thinks it should be there. Railing against gatekeepers keeping his slop out to me seems as ridiculous as him being mad that I won’t open my door and let him put a picture on my wall. He might not be damaging my walls, but just forcing his way in against my wishes is something I would view as harmful.