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Joined 2 years ago
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Cake day: November 22nd, 2023

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  • The bigger and more intrusive screens have gotten, the more sales of new cars have flagged. People are sick of them, and lawmakers are starting to catch up on regulating physical controls back into vehicles.

    The last time I bought a car one of my stipulations was a car no newer than 2016 because that was the last year that RAV4s had the small screens in the middle of the dashboard instead of mounted practically on the windshield, and the guy at the dealership that I talked to said that practically everybody who came in looking to buy a car had similar sentiments. People generally hate the big, intrusive screens, it’s just that car makers aren’t making any other options and then claim that that’s what people want.









  • I think the big defining question is what will the AI features that they will implement do exactly and how will they run. If it’s something that runs in the background (even as unintrusive as the summaries on a search engine like DDG), then it’s opt out by default as it’s constantly running whether you want it to or not. If it specifically and exclusively runs when you hit the button to activate it and doesn’t run at any other time, then I’d say it’s unequivocally opt in. And regardless of what a company says that their software will do, at this point I won’t believe it until somebody has done a full teardown and discerned what exactly it does behind the scenes. I’ve seen enough nonsense like the Epic Games Store accessing your browser history and recording keyboard inputs or whatever the other absurd incident was.



  • Except, right now, they absolutely are. The tools are largely as you describe - though thinking about it, I think I’d describe it more as an airbrush vs a paint brush - but that’s not the way that upper management sees it for the most part, and not how the average supporter of GenAI sees it even if they don’t recognize that that’s their view. Both of these groups see it as a way to cut costs by reducing manpower, even if the GenAI folk don’t recognize that that’s what their stance is (or refuse to accept it). It’s the same as in the programming side of the conversation: vibe coders and prompt generators being hired instead of skilled professionals who can actually use the tools where they’re truly useful. Why pay an artist or programmer to do the work when I can just ask an LLM trained on stolen work to do it for me instead.

    I read a great post probably a year ago now from somebody who works for a movie studio on why the company has banned hiring prompters. The short of it is, they hired on a number of prompters to replace some jobs that would normally be filled by artists as a test to see if they could reduce their staff while maintaining the same levels of production. What they found was that prompters could produce a massive volume of work very quickly. You ask the team for pictures of a forest scene and the artists would come back in a week with a dozen concepts each while the prompters had 50 the next day. But, if you asked them to take one of their concept pieces and do something like remove the house in it or add people in the foreground, they’d come back the next day with 50 new concept pieces but not the original. They couldn’t grasp the concept of editing and refining an image, only using GenAI to generate more with a new set of prompt parameters, and therefore were incapable of doing the work needed that an artist could do.

    A feel-good story for artists showing what AI is actually capable of and what it isn’t, except for one thing: the company still replaced artists with AI before they learned their lesson, and that’s the phase most of the world is in right now and will probably continue to be in until the bubble bursts. And as Alanah Pierce so eloquently put it when talking about the record setting year over year layoffs in the gaming industry (each year has been worse than during the 2008 financial crash): “Most of those people will never work in games again. There’s just too many people out of work and not enough jobs to go around.” These companies currently in the fuck around phase will find out eventually, but by then it won’t matter for many people. They’ll never find a job in their field in time and be forced into other work. Art is already one of the lowest paying jobs for the amount of effort and experience required. Many artists who work on commissions do so for less than minimum wage, and starting wages in the game industry for artists haven’t increased since I was looking at jobs in the field 15 years ago.





  • Another issue is the car-centric culture of the US and the fact that rail and any other form of public transportation directly impedes upon the car companies’ profits (including building sidewalks). This means that any project has to fight an uphill battle against corporate lobbyists or avoid simply being bought out and disbanded like what happened to the various highspeed rail companies in the 2000s.

    France is another interesting one to take a look at. I watched a video awhile ago on the history of highspeed rail in France, and if I remember correctly, while they’re culturally closer to the US and the UK, highspeed rail has a history as a point of competitive national pride for the French and so they’re culturally favorable to it because they’ve held the title for the fastest trains in the world a couple of times.