Yes I think you’re right - there’s a lot of lead-up to christmas and it’s usually a time where you come together over a few days. Whereas NYE is one evening, and it doesn’t involve special food or presents etc. (just lots of booze)

That’s a good point. I wonder if there are many songs dedicated to new year for people following those calendars?

Ohh a good selection, thanks!

Oh that’s interesting to hear! What new year’s songs do you know then?

I’m from the UK. Whereabouts are you from, to have never heard a christmas song?

That’s true, but you don’t really hear them being played once christmas is over

Fireworks I guess?

I think Red Faction still does a better job of it, because it blends the destruction and physics into one system. i.e. buildings will topple the second they become unstable, rather than only becoming a physics object once they’re fully separated.

Omg what, that’s sick

Oh sweet! The QoL stuff is great, love the collabs and the hotel is really interesting. I’m not sure if I could see myself getting into the swing of playing this again though… perhaps if they added more NPC dialogue. As it stands I’d really have no incentive to speak to my villagers which feels like a core part of the game. I think I’m burnt out having already put so many hours into this game over lockdown…

He should come back in an alternative universe as a 21-23 year old.

What? Some of the most well known and highly rated books are in the public domain.

That’s a good point actually… whenever you see them in any UK supermarket it tends to just be egg mayo by itself (and always on brown bread for some reason). Or egg & cress like you say.

OR you might see an all day breakfast sandwich with egg mayo, sausage and bacon.

That’s a good way to do things. I guess I have a mentality of ‘I paid for this, so I want to make the most of it’, though that doesn’t necessarily mean 100%ing a game, just playing it until I’m satisfied. In that respect calling myself a completionist isn’t quite accurate - I’ll just play through all of the significant content and avoid any filler. The recent Spiderman games are some of the few that I’ve actually 100%'d, because I found all the content to be fun and not a waste of time.

It’s rare that I’ve dropped a game, as I tend to be quite particular about the games I pick up; but I totally agree that if you’re not enjoying a game it’s better to just drop it and move on to something else. Digimon Cyber Sleuth for example - I got about 10 hours in and lost interest. Not sure if I’ll go back!

One of these

In the UK at least, the filling is called egg mayonnaise. In the US/Canada it seems to be called egg salad

It doesn’t help that I’m a bit of a completionist (at least to the point of doing the majority of the side quests, and ignoring the ones I felt were tedious)

Oh that’s grim :(

I’ve definitely been put off coleslaw after a spoiled portion at a Topgolf place gave me food poisoning

It took me months (I’ve had a lot of other stuff on), but I finally beat FF7 Rebirth the other day! Really enjoyed it - the combat system is great and I loved exploring the backstories for each character. Some parts felt quite filler-y, but were generally still fun to play/watch.

I’ve just started Tunic. The way in which various aspects of the game are revealed through the instruction manual is so clever. Can’t wait to finish work and play some more!

This is definitely a controversial take, but maybe there’s some truth to it. (A price hike like $90 Mario Kart is way too much however). I think the issue here is that purchasing power has decreased for the majority of people over the last few years as inflation has increased whilst wages have not kept pace. And it really doesn’t help when triple A games increase their prices whilst releasing in a buggy state - people don’t see any benefit of a $10 increase to that game when it doesn’t offer $10 more value than it would have done a year prior.

Sure, corporations need to recoup the high cost of development - but then perhaps their costs wouldn’t be nearly as high if they didn’t pay millions to their CEOs. Indie devs can successfully put out (usually much more interesting and creative) games for a fraction of the cost.