Exactly. Modern Windows is like Tesla - shiny exterior built on top of garbage cobbled together with paperclips and duct tape. No visible knobs, no easy to access features, everything hidden behind layers of needless menus and abstraction with the express goal to extract maximum value from their ‘customers’.
I’m not an Apple fanboy by any means but I feel like the two ecosystems are much closer now than they were 10-15 years ago.














As others have stated, the world building does a lot of heavy lifting in that movie where the explicit chsracterisation is perhaps weaker. The movie is not really supposed to be a character study, it is, like many sci-fi stories, about a hypothetical future and the extrapolation and exploration of humanity in that new world. The characters are there to help move the plot along and expose us to the events and interactions that take place, rather than as deep and nuanced people.
The cinematography is really spectacular and, even just from a technical perspective, totally mindblowing. The long shots convey chaos and tension in a way not many films had done before (or since) and I found them to be wholly immersive. I used to watch this movie a lot in a formative time of my life and it is still one of my favourites but I can totally understand why it didn’t resonate with you if you didn’t like the premise and were left cold by the characterisation. I would guess it just isn’t your kind of movie, which is totally fine.