As He died to make men holy
Let us die to make things cheap

  • 6 Posts
  • 302 Comments
Joined 2 years ago
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Cake day: January 8th, 2024

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  • Yes, this is true - I forgot that the trial happened in Lithuania where crime of passion actually has a formalized role. But the french media nevertheless accepted the narrative and the French public largely followed suit.

    As for the second murder/death which happened in France, there has been what is hard to describe as anything else than at best an active neglectance on the side of both the French police and justice system, both leading up to and following the death. I guess this is more symptomatic of the French tendency to simply not take women or their deaths seriously—ascribing the crime of passion to France was probably unfair of me.


  • I had Bertrand Cantat in mind when I wrote the comment. The fucker got away (except a very minor prison sentence once) with murdering two of his partners, all in full view of a public spectacle. There’s a Netflix series about him from this year that’s well worth a watch. It’s not that the crime of passion is explicitly used as a legal argument, but there is a romanticized idea that men will sometimes kill their partners out of “loving them too much” and that this is only tragic and not something that we should blame them too harshly for. So it’s not recognized in the law, but French judges have more or less routinely shown themselves to be sympathetic to the argument.

    The European Court of Human Rights has recently had a series of rulings in which it calls out France for being particularly shit with regards to women’s rights.





  • I’d say it’s about recognizing a fact of life that we have traditionally brushed under the carpet. By introducing femicide as a specific category it’ll be easier to talk about (or rather, harder not to talk about) just how fucking common it is for men to murder women.

    It’s a huge problem in most if not all countries, and it doesn’t receive nearly as much attention as it deserves. The attention it does get is primarily through folk songs or true crime podcasts, not actual attention as a systematic issue that needs to be addressed as a societal problem.

    So it won’t deter anyone from murdering women, but when it does happen it might make it easier for us to start actually doing something about it as a society.










  • I love and hate how Eugen starts this whole project, leads it into being something truly unique and wonderful that directly challenges some of the most evil and wealthy people on the planet, sets up institutional guardrails to make sure it will not be corrupted by any one individual gone mad with power, gives away his position after 10 years once he’s sure the organization is in good hands, and then concludes in reflection that he does not “have the right personality” for running a project like this.

    I hope it has not been to hard for him, and that he’ll look back at it all as a positive experience in spite of the negative interactions. I don’t think any sane person has a personality that is “right” for the kind of abuse public figures receive on the internet. But from the perspective of Mastodon and the Fediverse, it seems pretty clear that he was exactly the right type of personality for the job—including by stepping down when the time felt right.


  • I wouldn’t say art is subject to facts in this way. Some of us enjoy art that is produced through skill and intention rather than some idiot shitting in a jar. The meta debate is just one incredibly lame branch of art that incompetent snobs manically jerk off to while outbidding each other for a fucking banana.

    Of course, context matters for interpretation. Guernica is a more meaningful piece with the background of civil war; dadaism only makes sense in opposition to fascism. But both depend on skill and intent to become impressive, not merely the meta context of positioning in art history.

    I hate this discussion and I hate that by interacting with it some idiot in a beret will tell me “AHA! So it did provoke you!!”, as if they were making a point or ever had an original thought in their lives.

    Opposition to this bullshit is not a problem of the “tech world”, it’s a problem of the art world having obsessed over the same idiotic joke for a hundred years because it’s harder to appreciate something that contains genuine intent and talent than it is to pretend like you understand the genius of stapling a piece of crap to the wall of a gallery.