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Joined 1 year ago
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Cake day: September 27th, 2023

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  • I understand that logic, but “being the product” must not really be that bad for them. They might complain, but if it was truly distasteful, they’d do something about it.

    And being exploited for profit and explicitly knowing it is about the saddest thing I can think of for my fellow humans. It’s no wonder the billionaires just take and take, because people let them.

    One may as well have said the same things about cigarettes up through the 1960s. Sometimes we do things against our best interests. Sometimes it’s really, really bad for us. Sometimes it’s painful and deadly.

    Humans aren’t rational creatures.





  • Unfortunately I think this would have the opposite effect. Individuals would have to weigh the benefits of renewing their copyright vs. buying groceries, while companies could, as you note, write off the fees as chump change.

    So (for instance), next year, John Green would have to try to decide whether he should pay to renew the copyright on his massive 2012 hit The Fault in Our Stars, while Disney wouldn’t think twice about renewing the copyright on box office flop Tomorrowland in a couple years, just on the off-chance that it might someday be popular.

    Instead, I think copyright should be an initial 14-year term with the option to renew twice at no charge; but the catch would be, only individuals and groups could hold and renew copyright. Copyright could not be owned by, assigned to, sold to, or administrated by any corporate entity, only by an individual and their heirs. Work-for-hire would come with an automatic blanket license assignment for the duration of the first copyright term, but following that? Better keep Andrew Stanton and Joe Ranft happy if you want to make any Toy Story sequels, Disney. And if you don’t, they can take the characters to DreamWorks after 14 years.

    It gets sticky with movies themselves, since you essentially have a group of hundreds or even thousands of people to coordinate the license terms for, but I’m sure some sort of voting system or trust could be put in place. Yes, it could be manipulated, but hardly more than it already is.

    The bottom line is, authors and creators (and their families) should be able to make money off of their creation for a reasonable amount of time, but also adult creators should be able to make adaptations of media that they enjoyed as children. Balancing those two things isn’t as hard as companies have convinced Congress it is.



  • Complex stuff (talks, projects, brainstorming, etc): The notes get taken on paper. Some things stay there, because the act of writing them down is enough. Some things then move to my “second brain;” for personal stuff, that’s currently on Notion (I’m contemplating migrating it to Obsidian or something similar). For work stuff, that’s a Slack thread, or (if it’s really important) Confluence.

    Todos go into Google Tasks. I used to use Todoist, but I got frustrated by how inflexible the notification system was.

    Shopping lists (and a few other similar lists that need to be shared) go into Google Keep.