cross-posted from: https://programming.dev/post/35892866

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Republished here, as AI content is in the Public Domain. References are available in the original article.

Frustrated by rising subscription costs and fragmented content availability, viewers worldwide are returning to piracy at unprecedented levels, reversing years of progress made by affordable streaming services. Recent data from London-based monitoring firm MUSO shows piracy visits skyrocketed from 130 billion in 2020 to 216 billion by 2024, with the industry facing projected losses exceeding $113 billion.

Subscription Fatigue Drives Digital Exodus

The streaming landscape has transformed from Netflix’s early promise of “everything in one place” into what critics call “Cable 2.0”—a fractured ecosystem requiring multiple subscriptions. According to The Guardian, the average European household now spends close to €700 annually on three or more video-on-demand subscriptions. With Netflix’s standard plan reaching $15.49 monthly and competitors following suit, consumers are increasingly viewing piracy as a rational alternative.

“Piracy is not a pricing issue, it’s a service issue,” Valve co-founder Gabe Newell observed in 2011—a prediction that appears prophetic as streaming platforms struggle with content fragmentation and rising prices. In Sweden, birthplace of both Spotify and The Pirate Bay, 25% of people surveyed admitted to pirating content in 2024, predominantly driven by those aged 15 to 24.

Content Wars Create Consumer Casualties

The fragmentation crisis has worsened as studios create exclusive content silos. Viewers face scenarios where favorite shows vanish from one platform only to appear on another, or require separate purchases despite existing subscriptions. Even purchased content can become unavailable due to licensing disputes, prompting consumer lawsuits against platforms like Amazon Prime Video.

MUSO data reveals that unlicensed streaming now accounts for 96% of all TV and film piracy, representing a fundamental shift in how content theft occurs. Modern pirates leverage sophisticated tools including AI-driven search engines and encrypted networks that adapt faster than anti-piracy measures can respond.

Industry Scrambles for Solutions

Streaming executives are experimenting with bundled offerings and cracking down on password sharing, but these measures often backfire by further alienating users. According to Antenna research, one-quarter of U.S. streamers are “chronic churners,” frequently canceling subscriptions due to cost and frustration.

The resurgence marks a stark reversal from the mid-2010s when convenient, affordable streaming services nearly eliminated piracy. As one industry analyst noted, studios have created “artificial scarcity in a digital world that promised abundance”, suggesting that without addressing core affordability and access issues, the piracy revival may continue reshaping entertainment consumption patterns.

  • AbsolutelyNotAVelociraptor@sh.itjust.works
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    20 hours ago

    Industry Scrambles for Solutions

    Anything but solve the main issue: pirate sites offer a better service, with no stupid licensing problems, having everything on a single app and without geolocking bullshit.

    When the pirate alternative it’s not just cheaper but also way more convenient, it’s no wonder they are losing customers.

    • Rai@lemmy.dbzer0.com
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      14 hours ago

      Netflix: Pay for 4k, max at 720p in Firefox or Librewolf

      Trackers: Don’t pay, actual 4k

        • Rai@lemmy.dbzer0.com
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          10 hours ago

          That was my reason for cancelling. I can afford the service, but it better let me stream at full resolution through LibreWolf or I’m just gonna download the movies and shows.

    • jet@hackertalks.com
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      20 hours ago

      Exactly, if they came up with some open standard for payments, subscriptions, so that most users got seamless one stop shopping for all content without barriers the convenience would beat the price.

      They don’t have a piracy problem, they have a convenience problem.

      • AbsolutelyNotAVelociraptor@sh.itjust.works
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        20 hours ago

        It’s so damn stupid. Every time i hear of a new show, I must look for which platform will have it in my country. And also which seasons, because it happens (with old shows specially) that they are fragmented, having some seasons here, some there, and some unavailable.

        Then, I open stremio and the whole show is there, a single app with all the content.

        Now tell me, if I want to watch that show, what should I do?